Our job as photographers is to capture the best possible image in the camera – an image that captures mood and the message we want to tell about the subject. Post processing of this image should always enhance or supplement the ‘story’ of the image and should not detract in any way. For example, in the photo of a leaf on Abraham Lake, I made a careful composition that showed the story of the leaf, the ice and the wind. It took me several attempts to pull out the best photo possible from this scene. Once I captured what I wanted in the camera, I turned to the digital darkroom to enhance the message. First, I converted the image to black-n-white to selectively manipulate contrast to bring out the snow and ice patterns. I then added back the original colour information in the photo from a duplicate colour image and then I shifted the colours slightly in the scene to enhance the cold mood but bring out the warmth of the leaf. In the end I think my processing choices enhanced the mood and feel of the photo. To learn how I did the processing on this photo be sure to come to our talk Enhancing Story and Mood in the Digital Darkroom to be held this Monday, January 21st in Cochrane (Note: There’s a catch to this one! You gotta be registered for the Persistent Vision Photography Seminar first!)
These days with all the funky software plug-ins out there most of us tend to go a little gimmicky with our processing choices adding ornamentation over function. If the processing is obvious, your story will be diluted. Samantha and I find that most people fall into the over processing trap especially with HDR photos. For example, in the first pairing of images below the left side of the frame shows one of the five exposures captured for HDR processing . The right side of the frame shows a typical ‘overcooked’ HDR image. This image was not overly exaggerated from the kind of results we commonly see! Yech!
Usually when we process HDR images we try to make the final result look more like our eye saw the photo (see the image below). There is a time and place for grungy, cartoonish, HDR images but we don’t think that place is with the subject above. Why? Because our ‘story’ was not a fake, shiny plastic landscape but a beautiful, natural landscape. We’ll also be talking about our HDR processing workflow in our talk this coming Monday.
In the end, we always ask ourselves: does our processing bring out our story, or is the processing starting to become the main attraction? If our processing doesn’t add, or worse if it detracts from the story, we’ll go back to the drawing board and try again.