Usually, but not always, I’ll have a plan for post-processing an image while I’m setting up to take that shot in the field. The image below is a good example.
Out in the mountains this past fall, Darwin and I were meandering along my favourite highway, the Bow Valley Parkway. The bright overcast light was turning the forest into a magical realm, highlighting the skeletal branches and brightening up the underbrush. The bright yellow caught my eye, but even as I worked this stand of pine, I wondered if this might be a candidate for conversion to black and white later on the computer. The reason I thought this might work better than the lovely colour which first attracted me is that I didn’t like the green colour of the trees in the background. Converting to black and white would preserve the bright tones in the yellow leaves but strip away the interest in the dark green background. So did it?
Creativity and vision are tough concepts to define sometimes. They’re even a little overused. When Darwin and I think of creativity, we think of original expression, as in, something you made yourself from your interests and passions. In a world saturated with images, it can be tough at times to even know what our interests are! That’s why getting out by yourself to photograph what catches your eye is such an important part of being a photographer. And when you are more comfortable with knowing what motivates you to press that shutter, that vision is going to carry you through the process in three parts: ‘seeing’ the image, making the image and processing the image.
What do you think? Is your creative vision a three-act play?