For December we challenged our oopoomoo Creatives Facebook group to interpret the theme #lightsoftheseason. Below are some of their results that we liked best.
Congratulations to Drake Dyck who we think did the most creative interpretation of the theme. Drake wins a copy of our eBooks: The Icefields Parkway Winter Edition and Kootenay Plains and Abraham Lake Winter Edition.
We’ve all heard the old saying: “It’s not the camera that makes the picture, it’s the photographer.” Why in music isn’t there a similar refrain? “It’s not the piano that makes the music, it’s the musician.” Or in art? “It’s not the brush or the paint, but the painter.” We rarely care about what brand of brush an artist uses; we care about the art produced. So why is it that, invariably, the first question asked of photographers is, “what kind of camera do you use?”
We think the problem with photography is that photographers use a tool that records images directly from reality. There is no implied ‘interpretation’ in using a camera. It’s seen as a device which objectively records the ‘real’ world. As such, we think that the better the recording device (the camera), the more accurate the reality, and therefore the better the photograph. And so it goes. As photographers we become obsessed with getting better and better gear. Our camera, lenses and accessories become the ends to the means and the means to an end. We become slaves and lovers of the technical aspects of the endeavour. Art is forgotten if even acknowledged at all.
In photography we are less likely to think like an artist. An artist uses his or her tools as a means of inner expression. Art is about telling the world who you are and what you think. Art is not reality; it’s an interpretation of your personal reality. Photographers mistakenly believe that the more they know about gear, tools and technique, the more accurate their representation of reality. Of course, nothing is further from the truth. Obsession with gear and goodies only gets in the way of communicating any message whether that message is journalistic or artistic. In photography we spend precious little time developing vision and voice. Mostly we just want to play with goodies.
For photographers who want to advance beyond gear obsession into the realm of artistic expression, we recommend several approaches:
- Take a bare minimum of gear with you on photo outings. We have written about this before but remind you about taking only a camera and one prime lens like a 50mm lens to help you hone your ability to see and express yourself with a single tool.
- Think of your photography not as a hunt for single trophy shots but instead in terms of a project. Pick a topic (e.g. garbage, trees, puddles) or a conceptual theme (isolation, power, contrast) and develop a body of work that speaks to the topic or theme. Project-based photography will help you concentrate more on the message than the medium. Gear quickly becomes secondary and diminished in importance compared to artistic expression.
- Take a course in photography that is about leaning to see and expression. Avoid courses that discuss technique or gear. You want to exercise your creative expression and not your wallet. Buying more gear, software or camera goodies will not help you. Invest in discovering your creative eye. One option is our Resolve: Discover Your Creative Self eCourse which is targeted so that you discover what makes your creative clock tick.
- Instead of reading on-line reviews of cameras and lenses, book off a day a month to go to art galleries and check out paintings, sculptures and visual installations. Take a notepad and jot down why the art appeals to you or not. Relax and really look at the pieces. What is the art telling you about the artist?
- Don’t try too hard; let your subjects speak to you. Don’t force a technique or a conscious attempt at style. Just respond and soon your photos will be created from within and not as a result of blindly jabbing at the shutter of your high-priced optical recording device.
- Get off the camera control crutch. Go back to fully auto or program mode in your camera and just shoot intuitively. Don’t think, just respond.
Of course there is a lot more you can do, but hopefully these little exercises will get you off the obsession with gear and on to the discovery of your self!
Darwin and I are constantly impressed with the work of our students. It truly is a pleasure to see photographers gain confidence under our tutelage and pursue wholeheartedly their unique ideas. We’ve wrapped up the first week of our brand new eCourse, 7/365: The Mentored Photo Project. And before we begin our second course, we just had to brag a little about our first week’s students.
Lynn loves flowers. Oh sure, we all like to sniff a rose or admire a bouquet of colourful carnations. But Lynn takes appreciation of flowers and plants to a whole new level. Lynn sees flowers. With whatever tool comes to hand, be it a smartphone or dSLR, Lynn leans in close, capturing the sprinkling of pollen on a stamen or the elegant sweep of a petal. Lynn’s images are rooted in reality – we know we are looking at flowers, after all. But the everyday magic of the details of flowers is what Lynn adeptly reveals with her camera.
As part of the 7/365: The Mentored Photo Project eCourse, students are asked to define the project they wish to work on in one or two sentences. Here is what Lynn had to say:
I want to discover ways of photographing flowers to show what I can now see and to try to portray the excitement I now have.
Why is the world of flowers revealed anew for Lynn? Because, as she references in her project statement, Lynn can “now see”. A recent operation on her eyes has given her back the gift of clear and close sight. And what better blessing for a photographer! So, lean in and look closely at the world of flowers cleverly brought to life through Lynn’s eyes. We expect to see more beautiful work from this budding photographer in future.
Each month we have a creative assignment in our monthly newsletter (to sign up go here and get our free Born Creative eBook). For June the assignment was #creativecrops. Below are our choice picks of the photos submitted. The theme was open to the photographer’s interpretation.
Be sure to check out the oopoomoo Creatives Facebook page to see ongoing assignment postings.
Have you ever noticed that creative people are constantly recording their inspirations and ideas? Painters have sketch books they take with them to tinker with visual ideas. Writers sit in coffee shops, with a notebook or moleskin handy, ready to record snippets of conversations or observations for a character. Musicians used to carry small recorders to sample musical ideas. These days the smart phone is the handy recorder of choice for musicians. And with cameras built into smart phones, this back-pocket visual recorder has become the new sketch pad for photographers. And we have seen an explosion of creativity emerge simply because photographers now always have a camera with them in the form of their smart phone. The problem with smart phones is that they can be as much of a distraction as a creative tool. Instead of concentrating on making visual sketches, the photographer is also checking email, watching his Instagram feed and following the latest episode of his favourite Youtube channel. Meanwhile visual gifts flow by unnoticed.
When I am out and about doing errands and daily tasks I constantly see cool little visual vignettes that I wished I had recorded. We don’t own a smart phone and if we are not ‘on a photo shoot’ we leave the cameras at home so these little scenes are just ephemerally enjoyed in the moment – which is fine but sometimes I wish I could revisit those moments.
For my summer project I resolve to take a camera with me everywhere I go so I can capture the visual treats that present themselves constantly. These little ‘photo doodles’ I plan to put in a scrapbook along with my thoughts and impressions of each moment. Often I find that this type of visual journal is a springboard to launch larger projects. I’ll share the results of this Photo Doodle project on the blog and on the project page. Below are some recent doodles from the last few days. By the way, if you’re interested in trying out your own photo project but need help along the way our new eCourse 7/365 – The Mentored Photo Project might just be the ticket to kick start your creativity (we even have special pricing for those who commit before June 30th). Happy doodles!
What is the value of one week of your life?
What is the value of that week if you were doing something creative that you loved?
We believe firmly in the value of self-directed projects for artistic growth. Certainly we have been busy pursuing our own this year! But as we spent more time nurturing our photographic inclinations, we kept thinking how helpful a small mentored project might be for other photographers who wanted to get a creative idea out there in the world or even looking toward exhibiting their work. As much as we love doing our photographic thing, we kept wanting to share our happiness with you!
So our question is, do you have a photo project in you that’s itching to get out?
It may not be a big project (in fact, it probably shouldn’t be). It might even be a little strange or funny or weird. But you know that feeling you get when you’re out and about, and you see something and you think, “I wonder…” What if you had the time to pursue that little idea or spark of interest? Better still, what if you had two professionals invested in seeing your idea come to light, providing goal-setting materials, helping with planning and coaching you along the way?
We get those weird inspirations too. Now, we know better than to judge them. We call them our little orphan babies – orphan because there really is no home for them in what we do as professional photographers. They aren’t going to sell a workshop or print or calendar. No photo magazine wants them. They might even be such ugly little things that people turn away from their Facebook page! But they won’t let us go, these half-formed, raw and squirming intuitions. We have to bring them to the light and find a home for them.
Where should these little orphan ideas go? Well, what better place to try original ideas than our website, oopoomoo? Over the last year, we’ve moved our business toward a direction we find exciting; oopoomoo is more than ever a platform for sharing inspiring, talented and fresh photography, and we hope to have more stories behind living a creative life on the blog in future. We want to help you bring your orphan ideas to the world through a one-week, mentored photo project. Who knows? Maybe they’ll even find a home on the oopoomoo website through a published portfolio review!
If you have a photo project in you, then consider our new eCourse, 7/365: The Mentored Photo Project. It will take only one week of your time, but we bet you reap the rewards of seeing your project through the rest of your life. The satisfaction of bringing your unique way of seeing to the world is what every artist strives to achieve.
Resolve students! This new eCourse is a logical extension of 2016’s Resolve: Discovering Your Creative Self. You have the foundation for this next level of artistic development. To acknowledge your accomplishment, we have a special Early Bird discount for the month of July and August for all Resolve 2016 students – but space is limited! Use the appropriate monthly discount code provided to you in the June 17, 2016 Resolve Newsletter at checkout.
In our last blog post, Samantha talked about recent ‘mini-mentorship’ projects that we gave each other. Sam’s project was about personalized tree portraits, mine was about discovering artful design in nature and capturing that design in-camera. For me, the mentorship was incredibly valuable because it helped me recognize and articulate where I was and where I wanted to go as an artist. Once that was clear, the world opened up to infinite possible further project ideas. One of the main reasons that many photographers get in a visual rut and are not inspired is because they simply do not know who they are creatively. Knowing what your inner voice wants to say frees you from external constraints that hold you back.
As a mentor I learned to see the biases and expectations and self-doubt on the part of the mentee. Making assignments that addressed these issues forced the mentee to face the roadblocks to her creativity. Through teaching another you learn just as much about yourself and your own creative roadblocks. For both of us we emerged from the small mentored project with stronger artistic voices and renewed creative drive. Plus, we liked the results of our fun little projects! And now we just want to do more, both as mentors and as mentored artists.
Every month here at oopoomoo we send out our newsletter with a themed photography assignment. For the month of May our assignment was “Creative Clouds” open to any interpretation. We had a lot of great entries over on our oopoomoo Creatives Facebook page. Thanks everyone for your participation!
Below is a selection of our favourite images submitted. Stay tuned for our June newsletter which will be sent out in a day or two with June’s photo assignment. To sign up for our newsletter click here and get our Born Creative eBook for free.
Who Are you Creatively?
Why do you make photographs? Some people will answer that they make photographs because they want to document their travels or important events in their lives. Others are inspired by nature and want to capture this inspiration. And many use photography as a positive escape from the hectic rat race of life (a kind of meditation or mental yoga). But if we dig even deeper I think there is a universal desire, if not a need, for creativity. As kids we are all naturally curious and creative. Unfortunately, these traits get sapped out of us early on as we are taught the ‘values’ of practical education, work, consumption, and conformity. Many of us picked photography as a creative antidote for the homogenous pressures put on us by society.
But as we learn and practice photography, the ‘ought tos’ start to rear their ugly heads. We are taught about subjects we ought to photograph, locations we ought to visit, compositional rules we ought to follow. In short, over time, the very hobby we took up to express our creativity is stuffed into a box and turned into formula. We suppress our creativity and shoot just what others deem acceptable.
Every so often we need a reset, a reminder to get in touch with who we are and what our inner voice wants to say but that gets drowned out by the yelling of the outside world. Lately, I was feeling out of touch with my creative voice and felt that I was just repeating photographic formulas. My partner, Samantha suggested a little exercise for me to do that would help me determine who I am creatively. She showed me a variety of visual arts from painting to collage. She asked me to pick out pieces that I really liked and then had me write out answers to these questions about each piece:
- What do you think this picture is about?
- What do you respond to or find interesting in the picture? Why?
- Looking at the shape, line, form, texture and colour etc. used by the artist, how do these compositional and material choices help convey the essence of the picture?
Together we looked at my art choices and my detailed answers to her questions. We began to notice some themes, ideas, visual elements and even colours common to each piece. Sam suggested that these commonalities were the seeds of my creative voice. Frankly, I was surprised by the results because the imagery I liked was very different than the images I have become known for. But when I looked at my most recent work, there were little hints of this new voice trying to emerge; I was already beginning to use the themes, ideas and visual design elements that I had chosen in Sam’s exercise. It became obvious that I no longer knew myself creatively. Indeed, I had changed significantly but was still trying to force myself to shoot in my old ‘style’. No wonder photography was feeling strained lately. Now that I have discovered with Sam’s help who I am as a creative, the world has opened up for me again. Photography is a playground and I have given myself permission to play once again.
So if you are feeling a bit lost with your photography, try Sam’s exercise and share and discuss the results with a good friend or fellow photographer. Better yet use the exercise on each other. Often someone else can see easier patterns in your choices that you may subconsciously deny or that you may not want to see. What often emerges from this exercise is the discovery of who you are as a visual creative. That is a powerful revelation. Now go discover your creative voice.