As many of you know, Samantha and I started League magazine and the League of Landscape Photographers as an outlet for photographic creativity with a conscience. League members photograph the world around them in accordance with high ethical standards and they make imagery with purpose, meaning and integrity. League photographs engage, question and challenge the viewer. League and the League of Landscape Photographers seek to raise landscape photography to a personal expressive art that comments on the world around us.
Samantha and I always acknowledge and reward those in the photographic community who are doing exceptional work and who inspire and teach others to do the same. We can think of no other photographer in Canada (or the world, for that matter) who has done so much to raise landscape and nature photography to an art form and to encourage photographers to express their creative vision than Freeman Patterson. Many of you will know Freeman and will have been influenced, inspired and moved by his work. Freeman’s influence weaves through both Sam and my work and our teachings. Indeed, we think that subconsciously Freeman’s influence germinated the seed which became League. So who better to honour with the inaugural Best of the League Award than Freeman Patterson?
For those photographers not familiar with Freeman’s work, we highly recommend you head to your nearest library or book store and pick up at least one of his many books on photography, creativity and seeing. Our three personal favorites and a must read for all expressive photographers are Photography and the Art of Seeing, Photographing the World Around You – A Visual Design Workshop and Embracing Creation. We also highly recommend any of his life-altering (no exaggeration) workshops – anyone who has been on a Freeman workshop will talk and talk and talk your ear off about how amazing it was!
Talking creative expression is all the rage in photography right now especially in the wake of all the fascination with the gear of digital capture. But Freeman laid the foundation long ago by teaching photographers to embrace their creative self. So much of what is in vogue today by those teaching ‘creative vision’ is based directly or indirectly on Freeman’s early teachings. Thanks to Freeman we can all finally move away from gear and technique into what truly matters, create self-awareness and develop personal expression.
For all of Freeman’s influence, his respect for people and the environment, his tireless sharing and mentoring of photographers, and for his lifetime body of artful, thoughtful images, we are honoured to award Freeman the Best of the League Award! We are thrilled that Freeman shared with us a moving story and portfolio of images that will be published in League this September. Subscriptions to League end June 30 so if you want this collectible magazine on your book shelf subscribe now!
Here at oopoomoo HQ we enjoy helping people become better photographers (e.g. hone their craft) but what truly gets us excited and what we LOVE to do is help photographers become artists. We are all creatures born to create, and in photography the image is the conduit for personal expression. Channeling your vision through that conduit is easy if you know how to use your tools (the technical part of photography) AND if you are in touch with yourself, honour who you are and know what you have to say (the visionary part of photography). To help with both these aspects of photography, we are offering small group mentorships this summer designed to immerse you in the technical craft and artful expression of photography. Where will your personal vision take you?
For us, no other other tool in the camera bag offers as many technical and creative advantages as the tilt-shift lens. With a tilt-shift lens you can correct keystoning in-camera, make seamless horizontal and vertical panoramas, create giant, megapixel monster images, alter the plane of focus for incredible apparent sharpness independent of aperture, and manufacture dreamy, blurred and miniaturized-looking images. And, best of all, every one of these techniques is created in-camera with nary a pixel altered by less capable software substitutes! The possibilities are almost endless. In the hands of an artist, a tilt-shift lens is a superhero paintbrush! To create art you still must master the brush, but once you do, your creativity will be unleashed and your photography will never be the usual ho-hum. This three-hour hands-on workshop will have you the master of the Tilt Shift lens so that you can use its potential to express your creative vision!
The Mentored Photo Project is a week of intense self-discovery through photography. With the guidance of us, your mentors, Sam and Darwin, you will conceive of, plan and execute a small photography project. A mentored photo project engages many different creative skills and is a rewarding way to transform your ideas into a guided, published reality. Several of our past mentored students have gone on to expand their projects in a way that has positively influenced their development as creative artists. Limited dates available! Register before May 31 and save 40%!
This full day seminar in Medicine Hat, Alberta covers The Language of Light in Landscape Photography, Harnessing the Power of Tone for Compelling Images, Working Advanced Compositional Patterns in the Landscape, and Putting it all Together: Creative Landscape Imagery. We have a special announcement regarding this seminar…we’ve opened up a special offering of our popular online course, Resolve: Discover your Creative Self for seminar attendees! We’re also pricing this informative and insightful course at $95 (regular price $150) to encourage everyone to participate in this unique course! See you at the seminar!
In our last blog post we showcased images on the theme Emergence (#emergence) submitted though our oopoomoo Creatives Facebook group. In this post we want to highlight an image we received via email from Henrik Fessler. We love the photo and wanted to share it here on the blog. Henrik says of the image:
Every spring I feel the urge not to miss out the bloom of things after a long gray and dull winter. After a short blossom phase of 2-3 weeks everything is switched back to “normal” spring mode. That way, I have the sense of emergency to not miss the phase of plants’ emergence phase (-; To celebrate this magic period, here’s my submission (It’s a magnolia tree in our small city park taken at Bruchsal/Germany). On a technical note: it was taken with a 60 year old GDR lens -Carl Zeiss Jena Biotar 58mm F2-, with an APS C Camera and a cheap focal reducer … I do not want to bother with a bulky full frame camera any more (-;
Whew! Lots of great images from February’s newsletter challenge posted in the oopoomoo Creatives’ Facebook group. We’ve compiled our faves here in this blog post. Ha! It seems the ladies smoked the guys on this assignment! Remember to sign up for our Newsletter if you wish to get the monthly challenge delivered to your inbox.
We’re excited to announce two new photo workshops for pet lovers! Held at the Cochrane and Area Humane Society, there will be live demos in one and a chance for participants to photograph the animals in the other. Anytime we include animals in a live show there are sure to be hijinks so that’s worth the price of admission alone! 😉
Come learn some new skills, have a few laughs and polish up your pet photography skills. Check out our two new offerings below.
In this workshop we’ll teach you simple tips and tricks to make your family pet images creative, fun and engaging. If you wish you had the knowledge needed to make better pet photos we have the easy and effective answers! This is not a photo course full of jargon and tech talk but one that focuses on getting awesome results whether you use a smart phone, a point-n-shoot or a dSLR camera. You already have a bond and know your pet better than anyone; the only ingredient missing is some easy-to-learn photography basics to make your images soar. Come and join us on March 5, 2017 at the Cochrane and Area Humane Society for this two-hour fun-filled romp through the exciting adventure of pet photography (complete with live demos). To learn more or to register go here.
This hands-on course is for anyone with a dSLR who is interested in making compelling and creative images of dogs using existing light. The magic in great images of dogs occur at the intersection of dog behaviour and the creative use of camera controls. In this four-hour course, we’ll explain in easy-to-understand terms which camera controls create story-telling images and how to make photography a fun game for your pooch. After the 1.5-hour classroom session (with live demos!) students will spend 1.5-hours photographing dogs, on site, at the Cochrane and Area Humane Society. The resulting photos will be discussed in a one-hour critique session so students get immediate feedback on how to improve. To learn more or register go here.
To whet your appetite for the kinds of tips and techniques we’ll be talking about in the Creative Dog Photography workshop check out our Shooting Blind for Better Action Portraits of Dogs article or look at some of our favourite dog photos.
We are thrilled to showcase the best work of our oopoomoo Creatives Facebook group. This group of our students, friends and colleagues have produced creative and thoughtful work over the course of 2016. We are proud of their creative vision… most of the pictures were not taken at far off places or in iconic locations but rather were taken locally of everyday scenes. These 70 images confirm that it’s vision and individual expression that pushes art and not technique, gear or even location. Whether it’s the sweep of curtains across a carpeted floor or blades of grass in a sidewalk crack there is art everywhere if we are open to seeing. We want to thank all the oopoomoo Creatives out there for your continued inspiration and passion. Your great work deserved to be seen and we plan to provide even more opportunities to share your images with the world – stay tuned!
If you’ve been in photography long enough you’ll get a request from someone to use your pictures in exchange for ‘exposure’. What that means is they want the benefits of your fine photos but don’t want to pay you. Having the privilege of them publishing your photo is reward enough… or so they say. The funny thing is whenever we get these requests they are usually from large multi-national corporations with deep pockets… and a big advertising budget… and yet they won’t pay for quality images. The promise of them exposing your work to a wide audience is often hard to resist but we have found from experience that such exposure always falls flat.
On the other hand, when it comes to small community groups with no budget for photography they will often bend over backwards to try and pay you and give exposure that is respectful and meaningful. These groups need great visuals and they know the value of the image. Samantha and I love working with local groups who have causes we believe in because they offer the best kind of exposure. We get to meet real people, develop friendships and feel like we make a difference in the community. And of course we are happy to provide our services for free because we feel great helping them do good work. And feeling great charges up our creative juices and we get excited about photography all over again! Now that is the best kind of exposure!
What do you do in for ‘exposure’ and how has it worked out for you? We love to hear about it!
Darwin and I have a secret photo place we go to. It’s close by, it’s easy to access and it almost always delivers something. Here are some images from an outing to the historic Cochrane Ranche site made last spring.
We only spent just over an hour, but had a much higher ‘keeper rate’ than usual from a photo outing. Normally, we delete around 90% of the images from a photo shoot. (Yes, DELETE, as in permanently toss. Hey, junk is junk! By now we usually appreciate the difference between a good image and a mediocre one – and we still have those “what was I thinking?” stinkers that also end up in the digital trash can.) But our keeper rate from this last spring visit was over 80%! This makes us very happy. Here’s the breakdown:
Darwin: 46 exposures, 16 unique compositions, 13 keepers
Sam: 42 exposures, 18 unique compositions, 15 keepers (ahem, note my slight edge in quantity if not quality…)
Notice also that, even though we are sometimes standing shoulder-to-shoulder, we still come away with our own unique style with the same subject matter (Darwin always warms things up!) Good honeypots offer a variety of ways to interpret a place for the creative shooter.
Do you have a local photo honeypot? Where do you head when you have limited time but are hoping for good returns?
Here at oopoomoo we are interested in people who have carved their dreams out of the impenetrable bedrock of societal structure. One local person who has done just that and who is a huge inspiration to us is Jackie Skrypnek. For years Jackie has quietly volunteered behind the scenes in the local food, environment and social sustainability movements. Jackie puts in the work because she believes a better world is possible. She is not looking for accolades or awards; she is looking for results.
Jackie, Samantha and I all have Permaculture Design Certificates (PDCs) from Verge Permaculture in Calgary. Part of the mandate or being a “permie” is to take action and do something that makes a difference in the world. Jackie has done just that. She has transformed her backyard from lawn into an ecologically sustainable food production centre which provides fresh, organic food for her family and friends. And she and her husband, Bryan, have built a passive solar tiny home in their backyard that will operate as an educational B+B teaching people about passive solar design, smaller footprint living and permaculture gardening principles.
The tiny home is only 247 sq feet but packs in sleeping, bathroom, kitchen, living, and dining areas. Jackie designed the tiny home and Jackie and Bryan built it themselves — it’s a work of art! Jackie battled the town bureaucracy to make the first tiny home B+B in Cochrane happen and now, through her perseverance, Jackie’s dream is ready to share with the world. On December 4, from 1 – 3 PM, Jackie is having an open house in Cochrane so you can see the tiny home for yourself and maybe even win a one night stay (there is a draw!). For details on the open house just download this PDF. If you can’t come, we’ve taken a few photos to show you this amazing little tiny home. Congratulations Jackie and Bryan! Cochrane is proud of you!
The Hereabouts Tiny Home website is now live for bookings!
We’ve all heard the old saying: “It’s not the camera that makes the picture, it’s the photographer.” Why in music isn’t there a similar refrain? “It’s not the piano that makes the music, it’s the musician.” Or in art? “It’s not the brush or the paint, but the painter.” We rarely care about what brand of brush an artist uses; we care about the art produced. So why is it that, invariably, the first question asked of photographers is, “what kind of camera do you use?”
We think the problem with photography is that photographers use a tool that records images directly from reality. There is no implied ‘interpretation’ in using a camera. It’s seen as a device which objectively records the ‘real’ world. As such, we think that the better the recording device (the camera), the more accurate the reality, and therefore the better the photograph. And so it goes. As photographers we become obsessed with getting better and better gear. Our camera, lenses and accessories become the ends to the means and the means to an end. We become slaves and lovers of the technical aspects of the endeavour. Art is forgotten if even acknowledged at all.
In photography we are less likely to think like an artist. An artist uses his or her tools as a means of inner expression. Art is about telling the world who you are and what you think. Art is not reality; it’s an interpretation of your personal reality. Photographers mistakenly believe that the more they know about gear, tools and technique, the more accurate their representation of reality. Of course, nothing is further from the truth. Obsession with gear and goodies only gets in the way of communicating any message whether that message is journalistic or artistic. In photography we spend precious little time developing vision and voice. Mostly we just want to play with goodies.
For photographers who want to advance beyond gear obsession into the realm of artistic expression, we recommend several approaches:
- Take a bare minimum of gear with you on photo outings. We have written about this before but remind you about taking only a camera and one prime lens like a 50mm lens to help you hone your ability to see and express yourself with a single tool.
- Think of your photography not as a hunt for single trophy shots but instead in terms of a project. Pick a topic (e.g. garbage, trees, puddles) or a conceptual theme (isolation, power, contrast) and develop a body of work that speaks to the topic or theme. Project-based photography will help you concentrate more on the message than the medium. Gear quickly becomes secondary and diminished in importance compared to artistic expression.
- Take a course in photography that is about leaning to see and expression. Avoid courses that discuss technique or gear. You want to exercise your creative expression and not your wallet. Buying more gear, software or camera goodies will not help you. Invest in discovering your creative eye. One option is our Resolve: Discover Your Creative Self eCourse which is targeted so that you discover what makes your creative clock tick.
- Instead of reading on-line reviews of cameras and lenses, book off a day a month to go to art galleries and check out paintings, sculptures and visual installations. Take a notepad and jot down why the art appeals to you or not. Relax and really look at the pieces. What is the art telling you about the artist?
- Don’t try too hard; let your subjects speak to you. Don’t force a technique or a conscious attempt at style. Just respond and soon your photos will be created from within and not as a result of blindly jabbing at the shutter of your high-priced optical recording device.
- Get off the camera control crutch. Go back to fully auto or program mode in your camera and just shoot intuitively. Don’t think, just respond.
Of course there is a lot more you can do, but hopefully these little exercises will get you off the obsession with gear and on to the discovery of your self!