13 June

Best of the League Award – Freeman Patterson

As many of you know, Samantha and I started League magazine and the League of Landscape Photographers as an outlet for photographic creativity with a conscience. League members photograph the world around them in accordance with high ethical standards and they make imagery with purpose, meaning and integrity. League photographs engage, question and challenge the viewer. League and the League of Landscape Photographers seek to raise landscape photography to a personal expressive art that comments on the world around us.

Samantha and I always acknowledge and reward those in the photographic community who are doing exceptional work and who inspire and teach others to do the same. We can think of no other photographer in Canada (or the world, for that matter) who has done so much to raise landscape and nature photography to an art form and to encourage photographers to express their creative vision than Freeman Patterson. Many of you will know Freeman and will have been influenced, inspired and moved by his work. Freeman’s influence weaves through both Sam and my work and our teachings. Indeed, we think that subconsciously Freeman’s influence germinated the seed which became League. So who better to honour with the inaugural Best of the League Award than Freeman Patterson?

For those photographers not familiar with Freeman’s work, we highly recommend you head to your nearest library or book store and pick up at least one of his many books on photography, creativity and seeing. Our three personal favorites and a must read for all expressive photographers are Photography and the Art of Seeing, Photographing the World Around You – A Visual Design Workshop and Embracing Creation. We also highly recommend any of his life-altering (no exaggeration) workshops – anyone who has been on a Freeman workshop will talk and talk and talk your ear off about how amazing it was!

Talking creative expression is all the rage in photography right now especially in the wake of all the fascination with the gear of digital capture. But Freeman laid the foundation long ago by teaching photographers to embrace their creative self. So much of what is in vogue today by those teaching ‘creative vision’ is based directly or indirectly on Freeman’s early teachings. Thanks to Freeman we can all finally move away from gear and technique into what truly matters, create self-awareness and develop personal expression.

For all of Freeman’s influence, his respect for people and the environment, his tireless sharing and mentoring of photographers, and for his lifetime body of artful, thoughtful images, we are honoured to award Freeman the Best of the League Award! We are thrilled that Freeman shared with us a moving story and portfolio of images that will be published in League this September. Subscriptions to League end June 30 so if you want this collectible magazine on your book shelf subscribe now!

 

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17 May

Spring and Summer Mentorships for Creative Photography

Here at oopoomoo HQ we enjoy helping people become better photographers (e.g. hone their craft) but what truly gets us excited and what we LOVE to do is help photographers become artists. We are all creatures born to create, and in photography the image is the conduit for personal expression. Channeling your vision through that conduit is easy if you know how to use your tools (the technical part of photography) AND if you are in touch with yourself, honour who you are and know what you have to say (the visionary part of photography). To help with both these aspects of photography, we are offering small group mentorships this summer designed to immerse you in the technical craft and artful expression of photography. Where will your personal vision take you?

Mastering the Creative Potential of the Tilt Shift Lens – June 18, 2017

For us, no other other tool in the camera bag offers as many technical and creative advantages as the tilt-shift lens. With a tilt-shift lens you can correct keystoning in-camera, make seamless horizontal and vertical panoramas, create giant, megapixel monster images, alter the plane of focus for incredible apparent sharpness independent of aperture, and manufacture dreamy, blurred and miniaturized-looking images.  And, best of all, every one of these techniques is created in-camera with nary a pixel altered by less capable software substitutes! The possibilities are almost endless. In the hands of an artist, a tilt-shift lens is a superhero paintbrush! To create art you still must master the brush, but once you do, your creativity will be unleashed and your photography will never be the usual ho-hum. This three-hour hands-on workshop will have you the master of the Tilt Shift lens so that you can use its potential to express your creative vision!

7/365 – The Mentored Photo Project

The Mentored Photo Project is a week of intense self-discovery through photography. With the guidance of us, your mentors, Sam and Darwin, you will conceive of, plan and execute a small photography project. A mentored photo project engages many different creative skills and is a rewarding way to transform your ideas into a guided, published reality. Several of our past mentored students have gone on to expand their projects in a way that has positively influenced their development as creative artists. Limited dates available! Register before May 31 and save 40%!

The Power of Composition and Light – May 27, 2017

This full day seminar in Medicine Hat, Alberta covers The Language of Light in Landscape Photography, Harnessing the Power of Tone for Compelling Images, Working Advanced Compositional Patterns in the Landscape, and Putting it all Together: Creative Landscape Imagery. We have a special announcement regarding this seminar…we’ve opened up a special offering of our popular online course,  Resolve: Discover your Creative Self for seminar attendees! We’re also pricing this informative and insightful course at $95 (regular price $150) to encourage everyone to participate in this unique course! See you at the seminar!

 

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3 May

oopoomoo March Photo Challenge – Emergence from Henrik Fessler

In our last blog post we showcased images on the theme Emergence (#emergence) submitted though our oopoomoo Creatives Facebook group. In this post we want to highlight an image we received via email from Henrik Fessler. We love the photo and wanted to share it here on the blog. Henrik says of the image:

Every spring I feel the urge not to miss out the bloom of things after a long gray and dull winter. After a short blossom phase of 2-3 weeks everything is switched back to “normal” spring mode. That way, I have the sense of emergency to not miss the phase of plants’ emergence phase (-;  To celebrate this magic period, here’s my submission (It’s a magnolia tree in our small city park taken at Bruchsal/Germany). On a technical note: it was taken with a 60 year old GDR lens -Carl Zeiss Jena Biotar 58mm F2-, with an APS C Camera and a cheap focal reducer … I do not want to bother with a bulky full frame camera any more (-;

©Henrik Fessler

2 May

The Results of the March 2017 oopoomoo Challenge: Emergence

For March the monthly challenge over on the oopoomoo Creatives Facebook Page was “Emergence”. Below we present our favourite submissions posted to the Facebook group. Congratulations to everyone who participated. Stay tuned for the April challenge which will be sent out shortly in the oopoomoo monthly newsletter (sign-up form in the side-bar to the right).

©Chris Baird

©Chris Bone

©Chris Greenwood

©Cindie Fearnall

©David Klautt

©Drake Dyck

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Kathy Stinson

©Michael Gay

©Monica Schimanke

©Pam Jenks

©Pam Jenks

©Phyllis Fitzsimons

©Riana Vermaak

©Riana Vermaak

©Robert Skoye

©Shooting Earth Naresh

6 April

Janice Kretzer-Prysunka: Non-iconic Images in Iconic Locations

Each month we send out a newsletter to our oopoomoo newsletter subscribers with an assignment for the month. In March, we wanted photographers to show us a non-iconic view of an iconic location. We themed the assignment #league_landscape in honour of our new publishing project League magazine (which is now open for subscriptions and submissions). There was a lot of fabulous non-iconic assignment images shown by photographers in our oopoomoo Facebook group but one photographer, Janice Kretzer-Prysunka, really stood out with her portfolio of personal takes at iconic locations. Great work Janice!

©Janice Kretzer-Prysunka – Mount Robson

©Janice Kretzer-Prysunka – Horseshoe Lake, Jasper

©Janice Kretzer-Prysunka – Medicine Lake, Jasper

©Janice Kretzer-Prysunka – Mount Rundle, Banff

©Janice Kretzer-Prysunka – Athabasca Falls, Jasper

©Janice Kretzer-Prysunka – Tangle Falls, Jasper

©Janice Kretzer-Prysunka – Three Sisters, Canmore

9 March

Announcing…The League of Landscape Photographers!

We’re excited to share with you something we’ve been working on for awhile now. Introducing the League of Landscape Photographers! It’s a new community of like-minded photographers drawn together by similar interests, beliefs and values such as:

  • the belief that photography is an art form not a craft, and that photographers are artists and not mere technicians
  • a passion for the workings and integrity of the natural world which is expressed not only through artful, mindful photography projects, but also adherence to a personal code of ethics
  • the belief that photography should be valued at the same level as other arts when it achieves high quality expression – photographers should be paid for their work

It’s too easy to look around the world and only see destruction and displacement. It’s much harder to focus on all the positive efforts that are being made to counter and contain some of the huge problems of the day. It’s too easy to engage in trophy travel in pursuit of social media ‘likes’. It’s much harder to turn your lens toward capturing changes happening in your own backyard. And it’s too easy to throw up your hands, shrug helplessly, and declare nothing will ever change when photographers, especially landscape and nature photographers are out there on the land, cameras in hand…making a difference with their art!

What the League is Not

The League of Landscape Photographers is a bit different from other groups.

The League is not a charity, society or non-profit but a grassroots, self-identified, loose collection of people who have posted their own code of ethics or value statement about how they conduct themselves. To join, you post to the world your own code of ethics and a statement that you are a member of the League of Landscape Photographers. That’s it. There’s no gate-keeping based on your level of photography skills. There is no one collecting fees from you to join. You are a League member when you act like a League member.

The League is not a conservation group. Political agendas of all stripes have pushed public discourse into simplistic, zero-sum debates. The world is not black and white – it’s full of colour. Similarly, while League photographers may engage with environmental issues, they do so to challenge attitudes and push assumptions not provide either/or documentaries or knee-jerk reactions. The League of Landscape Photographers is a group of artists who use their art as a window into their personal landscape.

The League is not a calendar publishing company. One thing landscape and nature shooters have done well is bring to us stunning photos of the most glorious, enchanting and pure places on earth. The internet is crammed full of beautiful images with scenes apparently untouched by man. It’s gotten to the point where such images are almost dismissed, and the pursuit is on for the next best ‘wow’ image. But how helpful is this parade? League of Landscape Photographers dig deeper by directly addressing how humanity intersects and connects with the landscape. Instead of sanitized scenes devoid of reality, League members open their hearts to the realities in their communities and share with the world what their eyes are seeing.

It’s a Movement

We believe photographers, and especially nature and landscape photographers, are uniquely placed as artists to add thoughtful dialogue about contemporary woes. But they need a reputable platform for their work. Enter Part II of this announcement…we will be crowdfunding this spring to publish a high quality, art magazine featuring photography portfolios and projects of League members. This is it! This is the Big One for League members! Simply called League, this annual will be the vehicle of expression for many aspiring artists who have something to say about the world with their photography.

League magazine cover

A potential cover…

Learn More

  • Visit the League of Landscape Photographer’s website to learn more about the League, League magazine and for ideas on creating your own code of ethics.
  • Post your code of ethics and join the League! Then get involved in the community by joining the League Facebook group or sharing on Instagram.
  • Attend one of the upcoming events to help fundraise for League – or organize your own and donate to the campaign.
  • Tell your friends! While not everyone is a photographer, we all love art. Be a patron of the arts by donating to the campaign. You can read more about the cost of publishing a magazine here. Join the League Newsletter for news and announcements – like the date sales open for League! Only a limited number of copies will be printed of the inaugural issue…make sure you get yours.

The League logo




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3 March

Your Junk Our Treasure

Whew! Lots of great images from February’s newsletter challenge posted in the oopoomoo Creatives’ Facebook group. We’ve compiled our faves here in this blog post. Ha! It seems the ladies smoked the guys on this assignment! Remember to sign up for our Newsletter if you wish to get the monthly challenge delivered to your inbox.

©Barb Kreutter

©Barb Kreutter

©Barb Kreutter

©Barb Kreutter

©Brian Hayward

©Brian Hayward

©Carol James

©Carol James

©Cheryl Wallach

©Cheryl Wallach

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Chris Baird

©Christian Van Schepen

©Christian Van Schepen

©Cindie Fearnall

©Cindie Fearnall

©Dave Williamson

©Dave Williamson

©Dave Williamson

©Dave Williamson

©Drake Dyck

©Drake Dyck

©Gerry Ambury

©Gerry Ambury

©Gerry Hiebert

©Gerry Hiebert

©Janice Braud

©Janice Braud

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Janice Kretzer-Prysunka

©Kyle McIntosh

©Kyle McIntosh

©Liz Forrester

©Liz Forrester

©Liz Forrester

©Liz Forrester

©Liz Forrester

©Liz Forrester

©Michelle Wilson

©Michelle Wilson

©Phyllis Fitzsimons

©Phyllis Fitzsimons

©Ralph A. Croning

©Ralph A. Croning

©Riana Vermaak

©Riana Vermaak

©Riana Vermaak

©Riana Vermaak

©Sherry Christensen

©Sherry Christensen

©Shirley Davis

©Shirley Davis

©Veronica Reist

©Veronica Reist

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8 February

Wag Wednesdays (and help for the Cochrane and Area Humane Society)

If you are a member of the oopoomoo Creatives Facebook group you already know that every Wednesday we encourage people to post creative photos of their pets (or anything else with a tail that could be wagged, wiggled or waved). To participate, just post your photo to our group with the hashtag #wagwednesdays – once a month or so we’ll round up the best submissions and feature them here on the blog (with your copyright info of course).

Affie

Affie, the puggle, behaving for treats.

Speaking of Wag Wednesdays, we borrowed that slogan from the Cochrane and Area Humane Society which has a Wednesday play group of the same name of which Affie is a member. He comes home on Wednesdays wagged out and wasted!

Affie playing hard at the Cochrane and Area Humane Society

Affie playing hard at the Cochrane and Area Humane Society

One of the needs the humane society has is to get an instant photo printer that can print 4×6 photos that they can use to raise funds by printing photos for clients, adopters and for educational uses. For example, many participants in Wag Wednesday would love to have a printed photo of their dog in action (see the CAHS Instagram feed for examples). If anyone has a used instant digital printer or wants to buy and donate a new one to the CAHS, especially one that can accept smartphone pictures wirelessly, that would be awesome (even if it does not have wireless that will still work as well). Just drop on by the humane society or you can contact us here at oopoomoo and we can deliver whatever you have. Below are a couple of examples of the kinds of printers we mean (older discontinued models are fine as well). And if you have any paper and ink to go with the printers that is even better (the disposables are where the expense comes in).

Instant printers designed to print smartphone photos:

Fuji Instax Share SP-1 or SP-2

Polaroid Zip

HP Sprocket

Instant printers designed to print smartphone photos and memory cards

Canon Selphy CP1200

Canon Selphy CP910

Epson Expression XP640

The puppies thank you!

The puppies thank you!

UPDATE – The Cochrane and Area Humane Society is now the proud owner of a Canon Selphy CP1200 thanks to the kind donation from a wonderful couple from Calgary!

28 January

Photography with Meaning – What Do You Do for Exposure?

If you’ve been in photography long enough you’ll get a request from someone to use your pictures in exchange for ‘exposure’. What that means is they want the benefits of your fine photos but don’t want to pay you. Having the privilege of them publishing your photo is reward enough… or so they say. The funny thing is whenever we get these requests they are usually from large multi-national corporations with deep pockets… and a big advertising budget… and yet they won’t pay for quality images. The promise of them exposing your work to a wide audience is often hard to resist but we have found from experience that such exposure always falls flat.

Exposure - Is it worth it!

Exposure – Is it worth it!

On the other hand, when it comes to small community groups with no budget for photography they will often bend over backwards to try and pay you and give exposure that is respectful and meaningful. These groups need great visuals and they know the value of the image. Samantha and I love working with local groups who have causes we believe in because they offer the best kind of exposure. We get to meet real people, develop friendships and feel like we make a difference in the community. And of course we are happy to provide our services for free because we feel great helping them do good work. And feeling great charges up our creative juices and we get excited about photography all over again! Now that is the best kind of exposure!

What do you do in for ‘exposure’ and how has it worked out for you? We love to hear about it!

Chef Darren MacLean at rooftop veggie garden, Calgary, Alberta

Chef Darren MacLean at rooftop veggie garden, Calgary, Alberta

Portraits of local musicians

Portraits of local musicians

Passive solar tiny home - Hereabouts B+B, Cochrane, AB

Passive solar tiny home – Hereabouts B+B, Cochrane, AB

Local CSA farm portraits

Local CSA farm portraits – Seeds to Greens

Permaculture 'permablitz' in Calgary, Alberta

Permaculture ‘permablitz’ in Calgary, Alberta

Local organic farming practices

Local organic farming practices

©Darwin Wiggett - oopoomoo.com

Portraits at the local humane society

Humane Society dog portrait

Humane Society dog portrait

4 January

The Camera Club Rules of Photography – Do they Stifle Creativity?

Note this article was previously published over a year ago in Outdoor Photography Canada Magazine – to get articles freshly pressed be sure to subscribe to this fine magazine!

Camera clubs are excellent places for photographers to learn and share photography. In my own development as a photographer I owe much of my early inspiration, learning and excitement about photography to time spent in Images Alberta Camera Club in Edmonton. The friendships developed and the lessons learned have stayed with me through life. I have an abiding fondness for camera clubs, but there can be a dark side to belonging to a camera club….

©Dave Williamson - Sam kicks my butt whenever I start to go all formulaic!

©Dave Williamson – Sam kicks my butt whenever I start to go all formulaic!

 

As with any group effort, sometimes a little herd mentality may surface. And this way of thinking can stifle innovative or fresh ways of photographing – especially when it comes to image competitions. Over time, critiques of submitted images become increasingly formulaic; images that follow the ‘accepted’ rules of competition will score higher than those images that do not abide by these, dare I say it, sacred rules. Putting aside whether competitions are even healthy outlets for creativity, it seems that the ‘rules of photography’ espoused by most camera clubs reward conformity. In my experience, not much creativity happens when the first priority is conformity.

Let’s take a look at four ‘rules’ commonly trotted out during image critique sessions by camera club members.

In camera clubs often everyone begins to shoot the same things.

In camera clubs often everyone begins to shoot the same things.

What is the Subject?

It seems that every photo must have a centre of interest (watch yourself though – placing an object in the centre of your frame violates the superior rule of thirds). According to camera clubs an image needs to have something that we, the viewers, can define as a ‘subject’. No obvious subject? Then the image has failed. Abstract images that are simply about pattern, texture, graphic design or mood do not do well in photo clubs. Abstract painters like Kandinsky, Pollock and Miro would have a difficult time thriving under a regime that forces them to have an obvious subject.

Brazeau Colleries, Nordegg, Alberta, Canada ©Darwin Wiggett - oopoomoo.com

Sometimes a photo can just be about pattern and design with no centre of interest!

Fill the frame!

One of the ways that camera clubs reinforce the idea of subject is to tell photographers to fill the frame with the subject. This rule makes sense in that many beginning photographers make pictures where it’s not clear what the photo is about or why they took the photo in the first place. Having photographers fill the frame with their desired subject of interest is an easy way to get photographers to make better images. If you fill the frame with the subject, then we will know what the photo is about – all other stuff is excluded. But if all we ever do is fill the frame with the subject, there is no room left to explore placing our subject in a broader environment to tell a contextual story. Many of the great environmental portraits we see in National Geographic or Life magazine do not ‘fill the frame’ but have a small subject in a sea of context. Try that in a camera club and you will hear, “Get closer and fill the frame!”

nmp15926a-web

The subject here is obviously the penguin but the concept is the penguin in its environment, filling the frame with just the penguin would dilute the story idea.

Make it Sharp!

In camera clubs there is a fascination with sharpness and detail. Much time is spent talking about the best sensors, the sharpest lenses and esoteric things like circles of confusion and hyper-focal distance. If an image is not tack sharp, it won’t win a competition. Period. I think this fascination is partly about gear and partly because most camera clubs are populated with the over 50 crowd who long for the 20-20 vision of their youth (trust me, I know, I also fall into this camp)! Some of the most recognized and historic photos of all time have not been sharp. Just think of Robert Capa’s World War II D-Day photos. These gritty photos succeed because the blur and grain give them the mood of being there. Ansel Adams famously said, “There is nothing worse than a sharp image of a fuzzy concept.” Of course we can reverse this idea and state, “There is nothing better than a fuzzy shot of a sharp concept.”

©Darwin Wiggett - oopoomoo.com

There is nothing in focus in this image and yet the concept of sparkling highlights on water shines through.

Shoot in Good Light

And finally, there is the fascination with light in photography. This makes sense because photography is literally ‘writing with light’. Light is our tool; the cameras and lenses just capture the light. So a pre-occupation with light is an occupational hazard in photography. Camera clubs tend to classify light as good or bad. Good light is the ‘sweet’ light of the ‘golden hour’ (the hour after sunrise and the hour before sunset). Any other light is bad. The reality is, as my partner Samantha likes to say, “There is no such thing as bad light!” There is either light that flatters your subject or concept or light that detracts from the subject or concept. Your job, as a photographer, is to choose the light that best enhances your idea for the photo.

©Darwin Wiggett - oopoomoo.com

By classic definitions, this is bad light for a mountain scenic; but for mood and story the light is perfect.

The rules of photography that camera clubs follow are generally useful ‘guidelines’ for making stronger images. But like any rule, followed religiously the rules become constraints and shackles to creativity. You obviously need to know why rules work so that when you break them you do so for creative effect. I wish that camera clubs would look beyond the rules and just look at the heart of each image. If it resonates in spite of ‘flaws’ it is a good photograph. I’ll end this article with another Ansel Adams quote which nicely sums everything up: “There are no rules for good photographs, there are only good photographs.”

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